It tells the story of aspiring actor Alma, who has just been left by her boyfriend, Anthony, and with no way of paying the rent. “Forget men, I’m a career woman now,” she says, just before she’s told she’s only qualified to be a “sandwich artist” at a fast food chain.

As she goes about trying to get her life together, we get to know the other people near and dear to her, including her mother and her grandmother. Grandma Joan, in particular, brings us the leopard print-trousered look that we want to pull off. Goals.

On a more serious note, throughout the series Alma is forced to confront her experiences growing up in care. These threads of plot are taken from Willan’s own life, as she also spent some of her childhood in care and her mother was a heroin addict.

Willan wrote the first draft of the pilot script back in 2014, with the austerity measures of the Cameron government at the time as a template. This time, she told The Guardian, “felt really negative for welfare recipients, mental health [care] and social services recipients – people like my mother, people who’ve had difficulties.”

Alma’s Not Normal: a Bafta-winning dark comedy has just started on BBC and you need to watch it