It’s testament to Coleman’s incredible performance, of course, that we find ourselves rooting for Liv all the way through the series – even when she’s at her most dastardly. Still, it’s also because “as women, we are taught to be so good and quiet,” explains writer Marnie Dickens, “and it’s so lovely to watch someone not having to be any of those things.”

The series is scored by Taylor Swift’s Look What You Made Me Do, the ultimate good-girl-gone-bad anthem. It reminds us, in no uncertain terms, that this is a series about a woman metaphorically killing off her old self – the ‘good girl’ she has portrayed for so many years – in order to embrace a truer and more honest identity. And, god, in many ways, Liv’s revenge arc is an inspiration: she stops acquiescing and starts setting boundaries. She allows herself to not just feel every spectrum of her emotions, but to stop burying them for the sake of others’ comfort and start expressing them, too.

Come the final episode, our anti-hero is demanding answers, putting her own damn needs first, and speaking up for womankind. Hell, when she ventures to the spot where Cara died, she’s approached by an anonymous man who warns her about the “silly girl” – and, beautifully, she tears him a new one over it.

How the Wilderness finale teaches us a vital lesson about ‘good girl conditioning’